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Quilt panel, part of Australian AIDS Memorial Quilt, in memory of 'Garry Allen', synthetic textile / cotton, made in Canberra, ACT, Australia, about 1990 Rectangular quilt panel, landscape orientation, bright blue background. Garry Allen and 29 are ap…
Quilt panel, part of Australian AIDS Memorial Quilt, in memory of 'Garry Allen', synthetic textile / cotton, made in Canberra, ACT, Australia, about 1990 Rectangular quilt panel, landscape orientation, bright blue background. Garry Allen and 29 are appliqued in large white satin letters and numbers.
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Related objects
- ‘Dad' - Australian AIDS Memorial Quilt panel
- ‘David’ - Australian AIDS Memorial Quilt panel
- ‘Gunter’ - Australian AIDS Memorial Quilt panel
- Eric J Michaels - Australian AIDS Memorial Quilt panel
- Ian Nolan - Australian AIDS Memorial Quilt panel
- In memory of 'To Those Who Have Been in Our Care' - Australian AIDS Memorial Quilt panel
- Wayne Adams - Australian AIDS Memorial Quilt panel
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Visit the page ‘David’ - Australian AIDS Memorial Quilt panel Quilt panel, part of Australian AIDS Memorial Quilt, in memory of 'DAVID', cotton / synthetic textile / felt / plastic, Australia, about 1990 Rectangular quilt panel, landscape orientation, white background. A purple paisley fabric rectangle runs across the lower section of the panel with the appliqued name 'DAVID' appliqued in gold. A garden and pond scene is the theme of the quilt. A tall tree in striped green fabric is appliqued to the left hand side with three red flowers and two butterflies. Two smaller trees are appliqued to either side of the name. A large padded, multicoloured, stylised bird is flying across the centre with three appliqued butterflies above. The top right hand corner has an appliqued yellow kite shape with a smiley face. Three four leaf clover shapes and two butterflies are appliqued in the lower right corner with the number '28' in gold numbers below. -
Visit the page Ian Nolan - Australian AIDS Memorial Quilt panel Quilt panel, part of Australian AIDS Memorial Quilt, in memory of 'Ian Nolan', cotton / felt / synthetic textile / metal / glue / wool, made in the Australian Capital Territory, Australia, about 1990 Rectangular quilt panel, landscape orientation. Top third background colour is gold and the bottom two thirds background colour is off-white. A thin green stripe divides the two sections. On the gold section is a grey felt hat; nine Sydney University Regiment badges made of cloth; twenty one yellow metal regiment buttons in a triangle shape, below these is a white metal regiment badge. In the centre of the lower section the name 'Ian Nolan' is appliqued in bottle green with gold braid below. To the left of this are four badges sewn vertically: a pink triangle, an ACT University badge, Eureka flag badge and an orienteering badge. To the right is an Australian Labor Party badge and two gold cat shapes sitting in grass with a garden fork and three balloons. -
Visit the page In memory of 'To Those Who Have Been in Our Care' - Australian AIDS Memorial Quilt panel Quilt panel, part of Australian AIDS Memorial Quilt, 'TO THOSE WHO HAVE BEEN IN OUR CARE' cotton / paint, made by Gillian MacFarland and the staff at the AIDS Reference Centre, Woden Valley Hospital, Australian Capital Territory, about 1990 Rectangular quilt panel, landscape orientation, black background. In the top centre of the panel are eleven candles, three of which are unlit. On the left side of the panel is the following handwritten inscription, in green paint, ' Our candles / may flicker in / the icy wind / and die.' On the right side of panel 'But the light / in our hearts / can never / be dimmed.' Below the candles in red paint 'THIS PANEL HAS BEEN DEDICATED TO THOSE WHO HAVE DIED IN OUR CARE'. In green paint below 'FROM THE STAFF AT THE AIDS REFERENCE CENTRE'. This quilt was made by Gillian MacFarland and the nursing and clerical staff at the AIDS Reference Centre, Woden Valley Hospital, Australian Capital Territory, Australia. The receptionist at the centre, Susie Shearman, organised it so that every one contributed. The panel is referred to in Yardley, A & Langley,K., 'Unfolding: The Story of the Australian and New Zealand AIDS Quilt Projects', McPhee Gribble Publishers, Ringwood, Victoria, 1994, pp 76 -77. There it says that the poem given to Susie by one of the members of the Positive Support Group. Also in the Unfolding book, Gillian MacFarland talks of her experience and that the Quilt both in Australia and in America has shown a reminder of the human element of the epidemic. 'The love that you can't help but feel in the expressions that are made it absolutely amazing.' (p 77).She has continued to work in the area because ' whatever you give you still have back a hundred fold'. This quilt is in memory of those who have been in the care of the AIDS Reference Centre, Woden Valley Hospital, Australian Capital Territory, Australia. -
Visit the page ‘Gunter’ - Australian AIDS Memorial Quilt panel Quilt panel, part of Australian AIDS Memorial Quilt, in memory of 'Gunter' silk / paint / cotton / felt, made by Mick, Australia, 1990 Rectangular, landscape orientation. Hand painted beach scene with small footprints across the sand and 'With Love Mick' handwritten on lower left corner. Four pink seagulls are painted on right side of panel. 'GUNTER' machine appliqued on a small black patch next to a small blue teddy bear attached to the lower right corner. -
Visit the page Eric J Michaels - Australian AIDS Memorial Quilt panel Quilt panel, part of Australian AIDS Memorial Quilt, in memory of 'Eric Michaels', cotton / paint, maker unknown, Australia, circa 1990 Rectangular quilt panel, landscape orientation, red painted background. In the centre an Aboriginal motive radiates across the panel. 'ERIC / MICHAELS' is hand painted in green. The aboriginal motifs may represent a journey (the lines) and various meeting places (the concentric circles). Appliqued canvas strips bear the following place names 'PERTH, Kintore, CANBERRA, ALICE SPRINGS, Ernabella, BRISBANE, SYDNEY and Yurntumu'. A canvas strip has a design of multiple crosses and circles. This quilt is in memory of Eric J. Michaels (b.about 1948 d. 1988 ). From an article in the Sydney Morning Herald dated November 17, 1990: Eric J Michaels was an American born author and anthropologist. He moved to Australia in 1982. For five years he was based at Yuenduma, in the Central Desert where he studied the effects of western media on remote Warlpiri communities. He had two works published in his life time. The Aboriginal invention of Television (1986) and For a Cultured Future (1988). His third publication 'Unbecoming: An AIDS Diary' provides further insight to this gifted writer . He was a lecturer in media studies at Griffith University, Brisbane. The Department of Immigration rejected his application for permanent residency when it learned he was HIV positive. He died shortly after receiving this news. In the foreword of Eric's diary, Paul Foss summarised his career in these terms: "After finishing his doctorate, Eric accepted a fellowship from the Australian Institute of Aboriginal Studies in Canberra to research the impact of television on remote Aboriginal communities - eventually published as The Aboriginal Invention of Television, 1982-86 (Canberra, AIAS, 1986). He remained in the Central/ Western Desert region where he involved himself in claims by Aboriginal media associations for increased local autonomy in video production and circulation (cf. "Aboriginal Content: Who's Got It - Who Needs It", Art & Text, 23-24, 1987; and For a Cultural Future: Francis Jupurrurla Makes TV at Yuendumu, Melbourne, Art & Criticism Monograph Series, Vol. 3, 1988). At the same time, Eric became interested in the new acrylic 'dot paintings' carried out at Yuendumu and Papunya, occasioning the essays "Western Desert Sandpainting and Post-Modernism" (in Warlukurlangu Artists, Kuruwarri: Yuendumu Doors, Canberra, AIAS, 1987) and "Bad Aboriginal Art" (Art & Text, 28, 1988). With these writings, exemplary in their refusal to romanticise indigenous cultures, Eric gained a wide following in Australia for his non-ethnographic approach to Aboriginal video and art." Michaels, E. (1990).Unbecoming: an AIDS diary. Sydney: Empress Publishing. pp. 12-13 The Australian Journal of Media and Culture Vol 3 no 1 and 2(1990) Communication and Tradition: Essays after Eric Michaels appear to be a critique of his work. Tara Brabazon reviewed 'Bad Aboriginal Art' and said 'Eric Michaels remains one of the most influential scholars in my life. This collection, with a foreword by Dick Hebdige, brings together many of his essays and reports on and with the Warlpiri Media Association. His understanding of language and the spaces of media are without equal. This is a beautifully presented collection and a fine introduction to his work. ‘ -
Visit the page ‘Dad' - Australian AIDS Memorial Quilt panel Quilt panel, part of Australian AIDS Memorial Quilt, in memory of 'DAD', cotton / synthetic textile / ink / wool, made in Australian Capital Territory, Australia, about 1990 Rectangular quilt panel, landscape orientation, red background. Ten patchworked and embroidered squares of African design are appliqued to the background. In the centre of the panel in large purple lettering is 'DAD'. Machine embroidered across the quilt are the following; son, Dr Pruitt, Tshibangu, I love you, I miss you, Bill, Billy and William. -
Visit the page Wayne Adams - Australian AIDS Memorial Quilt panel Quilt panel, part of Australian AIDS Memorial Quilt, in memory of 'Wayne Adams', cotton / synthetic textile / felt / paint / glue / plastic, made in Perth, Western Australia, about 1990 Rectangular quilt panel, landscape orientation, pale blue background. In the top left hand corner is a large appliqued orange sun decorated with black and silver circles and a hand written message in black ink 'Love ya Spunky/ Colin (with a kiss / cross inside a circle). In the top left hand corner there is across (angled to the corner) made with 7 black and silver circles. 'WAYNE ADAMS' is appliqued in various coloured fabrics with a large colour printed fabric photograph framed by four silver sequin bows 'WINNIE' is handwritten in grey paint with black outline on the right side. Lower right hand corner 1961-1990 is written in black paint.